The family snapshot: parental representations of family and children on instagram

This thesis addresses parental identity and the family snapshot in the age of social media, through uses of Instagram. Tracing the socio-historical development of the family snapshot and its visual tropes, the thesis highlights that family photography has never been an endeavour to record a full, accurate record of family life. Instead it represents a complex social artefact embodying understandings regarding socially desirable depictions of parenting, familial harmony and childhood. This work situates these characteristics as representing inherited social knowledge which shape domestic photographic practice. Over 3 phases of work, visual representation of family life on Instagram is investigated. Using qualitative methods, a comparative approach is taken in considering divergence and retention of analogue characteristics. The first phase of work suggests that Instagram sharing has not fundamentally reimagined the family snapshot from its previous format in family photo albums. Images retain the key tropes of positive representation, omission of negative imagery, and depiction of familial harmony that were present in family photo albums. The second phase of work, through an ethnographic study of 20 successful Instagram accounts of mothers, focuses upon family images as part of long-term maternal narrative building. The reported findings present evidence of mothers visually documenting labour in carrying out Hays (1996) ideology of intensive motherhood. However, this is presented as part of highly aesthetically-driven lifestyle imagery. In the third phase of work, the thesis reports a further secondary analysis of the ethnographic data, drawing upon Belk’s (1988) conceptualisation of possessions as pivotal to an extended sense of self. This exploratory work poses that family snapshots contribute significantly towards understandings of contemporary online maternal identity, moving forward sociocultural discourses on family photography and representation. The thesis makes a number of contributions, deepening understanding of the mediating role of digital photography in online maternal self-expression and family representation; developing a deeper understanding of the role of family snapshots as a social artefact; and demonstrating the viability of developing comparative analysis from literature to interrogate snapshot imagery on social media. The thesis work also holds implications for the development of policy around communication strategies for engaging with new mothers, and concludes with discussion of future possibilities for further visual analysis of Instagram communitie

Feeling alone among 317 million others:Disclosures of loneliness on Twitter

Increasing numbers of individuals describe themselves as feeling lonely, regardless of age, gender or geographic location. This article investigates how social media users self-disclose feelings of loneliness, and how they seek and provide support to each other. Motivated by related studies in this area, a dataset of 22,477 Twitter posts sent over a one-week period was analyzed using both qualitative and quantitative methods. Through a thematic analysis, we demonstrate that self-disclosure of perceived loneliness takes a variety of forms, from simple statements of “I’m lonely”, through to detailed self-reflections of the underlying causes of loneliness. The analysis also reveals forms of online support provided to those who are feeling lonely. Further, we conducted a quantitative linguistic content analysis of the dataset which revealed patterns in the data, including that ‘lonely’ tweets were significantly more negative than those in a control sample, with levels of negativity fluctuating throughout the week and posts sent at night being more negative than those sent in the daytime